The south room at Soul Space glows. Granted, the room is warm with sunlight streaming in from three sides. But it is the gilded gourd sculptures by Serena Kovalosky that really pop in the evening sun.
“You should see this room throughout the day. As the light goes around, it’s absolutely stunning,” said the artist who is among 15 showing at the third biennial Open Studios of Washington County. “I love to see the faces of the people who walk in the room. There is just a feeling of ‘ah.’ It’s fabulous.”
So too are the new large sculptures that Kovalosky has burnished and carved for the free tour that runs Saturday and Sunday throughout southern Washington County. She decided to create the larger pieces right after the last tour in 2009 as she felt that many collectors, who follow her through the tour, exhibitions and her blog, were ready for more dramatic pieces.
On a recent visit, the room at this Greenwich retreat had yet to be populated with all of her sculptures. Yet two large works stood proudly on the table. One is titled “Deep Mahogany.” Unlike many of her pieces, this gourd is uncut. It’s trademark Kovalosky, however, etched with intricate patterns, creating a grain that makes the gourd appear like wood. She then colored it to a dark amber stain with gold leaf. The sculpture, more than 2 feet tall, rests on a graceful wrought-iron pedestal.
Open Studios of Washington County
The following artists will welcome visitors during the free tour of 15 studios from Greenwich to Granville on Saturday and Sunday.
-- Joan Duff-Bohrer: Oil paintings and mixed media
124 Gillis Hill Lane, Salem. 854-7046, www.duffbohrerpainting.com
-- Patty Happy: Oil paintings and mixed media
Gallery at Gibbs and Wright, 7 Gibbs Road, Granville
-- Ed Hepp: Hand-carved carousel-style horses and carvings
Cambridge Rocking Horse Co., 97 Rte. 74, South Cambridge. 677-3212, www.CambridgeRockingHorse.com
-- Serena Kovalosky: Organic sculptures and vessels
120 Ray Road, Greenwich. 232-6445, www.kovalosky.com
-- Adriano Manocchia: Oil paintings and watercolors
87 Whitecreek Shunpike Road, Cambridge. 677-5744, www.adriano-art.com
-- Virginia McNeice: Pastels and oil paintings
73 Edie Road, Greenwich. 677-3613
-- Will Moses: Oil paintings, serigraphs, etchings and prints
Mt. Nebo Gallery, 60 Grandma Moses Road, Eagle Bridge. 800-328-6326, www.willmoses.com
-- Leslie Parke: Oil paintings, watercolors and handmade paper
15 W. Main St., Cambridge. 677-8872, www.leslieparke.com
-- Leslie Anne Peck: Oil paintings
52 Salem St. (Rte. 29), Greenwich. 692-9952, www.lpeck.com
-- Art Poulin: Acrylics
Art Poulin Studios, 305 Cottrell Road, Greenwich. 692-0009, www.artpoulinstudios.com
-- Jim Schanz: Oil paintings and charcoal drawings
Hubbard Hall, the Freight Depot Theater,
25 E. Main St., Cambridge.
-- Arleen Targan: Oil paintings
4 Lyttle Lane, Greenwich.
-- Gyula Varosy: Wood, bronze, and steel sculptures
1522 North Road, Greenwich, 692-7443, email@example.com
-- Hannie Eisma Varosy: Oil paintings and constructions
1522 North Road, Greenwich. 692-7443, firstname.lastname@example.org
-- Regina Wickham: Ceramics
1291 King Road, Cambridge.
For more info: including a map go to www.studiotour.org
Its companion on the table is “Keeper of the Fire.” The work, though smaller than “Deep Mahogany,” demands attention. Split in its center and painted in gold leaf, the sculpture shimmers like a polished headdress for a princess.
She has smaller works available too — delicate, paper-thin bowls and vessels — all carved and painted. None of them look like gourds. Kovalosky laughs at that observation, especially since she never really wanted to be a gourd artist.
“I wanted to do intellectual sculptures,” said Kovalosky, who is a native of Whitehall but spent most of her artistic life in Montréal. “I didn’t want to sculpt gourds because I thought they were too crafty. But I kept coming back to them.”
Thank goodness. Kovalosky gourd creations are unique, certainly for the Northeast, where gourds, as art, are basically unheard of. But Kovalosky likes to point out that gourd art/craft has been around for centuries. Since ancient times in Africa and
South America, gourds were used and decorated as bowls or cups. The art still thrives in the Southwest, which is good for Kovalosky, who does not grow gourds. She buys them from an organic grower in California who ships them to her already cleaned and dried.
“They come in large boxes from the UPS man,” said Kovalosky. “He wonders what I have in the boxes because they are so light.”
Once she gets them in her studio, she observes the gourd — waiting for it to speak to her. Then she goes to work.
She points to “Keeper of the Fire.”
“I didn’t want to be all gilded. I thought it would be too gaudy,” said Kovalosky. “But this is what it wanted.”
She later realized that the work was inspired by a 36-hour vigil she did with a fire keeper at a pow-wow.
“I wasn’t even thinking about the fire-keeper when I did this, but when I was finished, I knew that is what it was.”
Following the gourd
Kovalosky calls her process organic, and says she will never force anything on her gourds/sculptures. In that way, she says her works maintain integrity.
Consider some recent commissions. She speaks with the buyers before she creates for find out what they are looking for. But if the gourd takes her in another direction, she follows that path, not the desires of the commissioner.
“Of course, if they don’t like it, they don’t have to buy it,” she said.
Has that ever happened? “No,” she said, and laughed.
During the weekend tour, which will also include artists Arleen Targan, Leslie Peck and Will Moses, Kovalosky will display the tools of her trade — a jigsaw, a Dremel, an X-Acto knife, a cleaning ball and a wood-burning pen. She looks forward to speaking with every guest.
While this is only the third year for the Open Studio Tour, its popularity has grown. Artists on the tour believe that art devotees enjoy interacting with artists and experiencing the rural environment that often inspires them. It’s also a chance to spend the weekend exploring the bucolic byways of Washington County.
“It’s fabulous because people get to see the work in person and talk to the artists,” said Kovalosky. “It’s a more relaxed setting than a gallery. It feels great. It’s very rewarding.”